In epoca medievale si è molto discusso su alcuni concetti chiave come prova o giustificazione. La teoria della prova contenuta nei trattati di logica medievale prende il nome tecnico di consequentia, che è un tipo di ragionamento fondato sul passaggio dalla concessione (o negazione) di uno o più enunciati denominati antecedenti alla concessione (o negazione) di uno o più enunciati denominati conseguenti. Questo tipo di teoria ha avuto un correlato a livello dei singoli termini che compongono l’enunciato all'interno della teoria (...) nota come suppositio terminorum. Prende, infatti, il nome di descensus, la regola che permette la verifica del passaggio da un termine maggiore (un termine comune) ad un termine minore (che denota individui). La stessa definizione di alcune ramificazioni della teoria della suppositio è col-legata alla possibilità di ammettere o meno il descensus cioè questa "discesa" da un termine comune ad una congiunzione o disgiunzione di termini singolari. Il presente lavoro intende descrivere la teoria del descensus come un tipo particolare di consequentia mostrandone le connessioni con le moderne tecniche logiche. I trattati che si affronteranno appartengono al XIV e al XV secolo, cioè ad un periodo caratterizzato da una sistemazione della materia che li rende confrontabili con un quadro teorico unitario. (shrink)

Il volume intende presentare in una prospettiva organica la letteratura medievale sugli Insolubilia. Gli insolubili sono stati definiti come proposizioni autoreferenziali che hanno origine direttamente dalla tradizione del paradosso del mentitore. L’impostazione del presente lavoro vuole essere sia filologica che teorica in modo che da un lato si possano inserire le analisi speculative sugli Insolubilia in un contesto critico–storico più ampio che restituisca la peculiarità della trattazione medievale, e dall’altro, possa essere effettuata una analisi precisa dei tentativi di soluzione proposti (...) anche attraverso gli strumenti della logica moderna (quando possibile e non fuorviante). (shrink)

An analysis of three pictorial works by Ugo Nespolo is put forward: "Barbe posticce" (1977); "Guardar Manzoni" (1974); "Il museo: Fontana" (1975). It is claimed that such works embody meditations on the concept and the varieties of representation, that they prompt critical reflections on the role of museums in art-making, and that they suggest an alternative route to that of the 'dematerialization' of the art object for the understanding of contemporary art.

This thesis is an exploration of the chapters of Francesco Di Giorgio's Trattati di Architettura, Ingegneria e Arte Militare, that pertain to mechanical devices. While it is difficult to imagine actually constructing Di Giorgio's machines from the drawings and descriptions in his treatises, given their apparent inefficiencies and ambiguities, the Aristotelean science and philosophy referenced throughout the Trattati provides a basis for looking at them as demonstrations of concepts beyond their immediate applications for architecture and engineering. By considering (...) these devices in Di Giorgio's own terms, terms suggested by his own experiences, as well as his writings and paintings, strong associations can be made to the science, philosophy and the theology of his time. (shrink)

l volume di Gustavo Gozzi "Diritti e civiltà. Storia e filosofia del diritto internazionale (Bologna, il Mulino, 2010) ha a nostro avviso colmato una lacuna importante nel panorama filosofico-giuridico italiano. Si tratta infatti della prima pubblicazione in lingua italiana che, da un punto di vista insieme storico e filosofico, affronta in modo sistematico lo sviluppo del diritto internazionale dall’età moderna ai giorni nostri. Questo primato è già un eccellente motivo per discutere Diritti e civiltà. Ma c’è di più. Una parte (...) consistente del saggio è dedicata alla ricostruzione e discussione di contributi non-occidentali al dibattito contemporaneo sulla natura e il ruolo del diritto internazionale. Si può anzi dire che Gozzi fa proprio il punto di vista di questi autori: il volume si distingue infatti per un approccio critico nei confronti della pretesa universalità delle dottrine occidentali del diritto internazionale. Questo scetticismo si fonda sulla tesi fondamentale del volume, secondo la quale il diritto internazionale è caratterizzato dalla “continuità del discorso dell’egemonia occidentale dalla prima età moderna fino alla realtà contemporanea” (p. 11). Prendendo avvio dall’approccio sistematico e insieme critico del volume e dai temi in esso trattati, questo forum intende (ri)discutere temi chiave della storia e filosofia del diritto internazionale e metterne a fuoco un programma di ricerca. (shrink)

Lo sviluppo del diritto internazionale penale è stato accolto con entusiasmo da attivisti per i diritti umani, giuristi e studiosi di questioni internazionali. La punizione dei crimini internazionali più gravi, come i crimini di guerra, quelli contro l’umanità e il genocidio è considerata un importante passo avanti verso l’effettiva protezione dei diritti umani e l’affermazione della pace. Questo entusiasmo sembra però aver lasciato sullo sfondo alcune domande fondamentali: come si giustifica l’esercizio del potere punitivo internazionale? Chi ne è il titolare (...) e in virtù di cosa? Il tribunale del mondo prova a rispondere a queste domande, indagando da una prospettiva filosofico-politico-giuridica la giustificazione del diritto internazionale penale e assumendo come punto di partenza le specificità del contesto internazionale. L’autrice auspica il superamento del diritto internazionale penale a favore di un sistema plurale di risposta alle gravi violazioni dei diritti elementari: un sistema che comprenda anche soluzioni non penali e che in alternativa all’universalismo del diritto penale internazionale offra meccanismi orientati alle esigenze delle comunità coinvolte. (shrink)

The relationship between power, law and consent is a key feature of the Western debate on criminal law. On the one side, defining the legitimate ways of exercising the punitive power has been a critical question since the Enlightenment thought onwards and especially as to the rule of law doctrine. On the other side, the role played by public punishment in shaping consent and its communicative potential have been crucial questions for critical, as well as non-critical approaches to criminal law (...) in contemporary thought. These questions gain in strength and radicalism when it comes to international criminal law (ICL). In this case the filter of the state is not present anymore to mediate between power, law and consent, and the power to punish individuals is directly exercised by international institutions. This means, on the one hand, that traditional justifications of the power to punish and which are elaborated on in the domestic sphere are not useful anymore in legitimating international punishment. International criminal norms are not framed by an international democratically elected parliament, and their exercise is not controlled by the complex system of checks and balances typical of the rule of law. On the other hand, having not being created by a sovereign, international criminal law cannot be conceived as an instrument to build or consolidate consent around the sovereign. A double-sided dilemma therefore arises: traditional explanations are no longer apt to answer the question whether ICL is legitimate, while ICL itself can no longer be considered an instrument to build consent around the traditional power exercising it, namely the state. Although I consider both sides of the dilemma equally interesting and stimulating, I will focus here only on one side of the coin: the ability to build consent of the ICL institutions, and in particular the International Criminal Court (ICC). In other words, instead of asking whether the consent around the ICC is broad enough for the Court to be considered legitimate, I shall ask whether the ICC is able to build consent around the world order it embodies. (shrink)

Il design industriale è sempre più importante come mezzo per differenziare i prodotti e aumentarne il valore. Allo stesso tempo, la velocità con cui un prodotto viene offerto nel mercato dipende dalla capacità di integrare il design nel processo di produzione. Tuttavia, molte PMI - in particolare le nuove aziende basate sulla tecnologia - mancano di competenze specialistiche nella gestione del design e spesso non prestano sufficiente attenzione a questo aspetto. L'industria automobilistica e le grandi aziende come Philips e Braun (...) gestiscono e misurano l'impatto del design come strumento innovativo. Negli ultimi anni, le aziende industriali che sono in prima linea nella produzione di determinati prodotti stanno iniziando a sperimentare una forte concorrenza che non è egualmente protetta. Subiscono gli impatti dell'esperienza offerta da quasi gli stessi prodotti a prezzi inferiori, grazie a un minore investimento in ricerca e sviluppo, che riduce la struttura dei costi. (shrink)

L’osservazione della natura con l’intento di capire l’origine della varietà di forme e fenomeni in cui si manifesta ha origini remote. All’inizio il rapporto con i fenomeni naturali era dominato da sentimenti quali paura e stupore che conducevano a supporre l’esistenza di entità sfuggenti alla percezione diretta che permeavano gli elementi animandoli. Ecco dunque che la magia rappresenta l’elemento dominante della filosofia naturale primitiva caratterizzata da una unicità degli eventi e dalla impossibilità di capirli e dominarli in quanto frutto della (...) volontà di essenze a noi estranee e non governabili. Con il nascere della civiltà ed il suo progredire il tempo dedicato ai lavori necessari per il sostentamento e la sopravvivenza diminuì e nella ripartizione dei compiti alcuni individui potevano dedicare parte del loro tempo alla osservazione della natura ed alla sua interpretazione in termini non trascendenti. Nella natura, intesa come tutto ciò che ci circonda composto da esseri viventi e da materia inorganica nelle sua varie aggregazioni sulla terra e nel cosmo, ciò che attirò l’attenzione fin dall’inizio furono furono i fenomeni regolari e periodici come i moti della luna, dei pianeti e delle stelle. Nel contempo dopo una spinta iniziale dettata da esigenze pratiche come contare gli oggetti o misurare i campi, la matematica si era sviluppata autonomamente e si rivelò idonea a descrivere in termini quantitativi i moti dei corpi celesti. La terra era al centro dell’universo mentre il moto degli altri corpi celesti risultava da una composizione di moti circolari uniformi. Questa visione geocentrica e pitagorica (armonia delle sfere) dell’universo ha prevalso fino agli albori della scienza moderna, anche se una descrizione eliocentrica, basata su validi argomenti, era stata proposta. Per quanto riguarda la struttura della materia i presocratici avevano già proposto i quattro elementi mentre gli atomisti avevano ricondotto tutto ad entità elementari primigenie, il cui aggregarsi e disgregarsi da luogo a tutti gli stati e le molteplici forme della materia. Queste intuizioni si ritrovano nella fisica moderna che contempla quattro stati di aggregazione, che hanno come unico sostrato comune gli atomi. La fisica moderna nasce con Galileo e Newton, la cui dinamica si sviluppa a partire dalle leggi di Keplero che descrivono il moto dei pianeti nel sistema eliocentrico, per potersi poi applicare ad un qualunque sistema materiale. Pertanto nei due secoli successivi si ritenne che un modello meccanico potesse essere sviluppato per un qualunque sistema fisico e quindi per l’universo intero la cui evoluzione doveva essere matematicamente prevedibile. Per i fenomeni termici tuttavia vennero formulate leggi ad hoc come quelle della termodinamica che mostrano come i processi macroscopici siano irreversibili in contrasto con le leggi della meccanica. Si deve a Boltzmann1 il tentativo di ricondurre la termodinamica alla meccanica per un gran numero di particelle dei cui moti disordinati viene data una lettura di carattere statistico. L’aumento della entropia e la irreversibilità seguono dalla ipotesi di caos molecolare ossia che i moti siano così disordinati che si perde rapidamente memoria dello stato iniziale. L’idea di introdurre una misura di probabilità nel contesto della meccanica sembra antitetica con la natura stessa della teoria rivolta fino ad allora allo studio di sistemi con moti regolari, reversibili e prevedibili individualmente su tempi lunghi. Tuttavia l’analisi probabilistica diventa essenziale per lo studio di sistemi caratterizzati da forti instabilità, e da orbite irregolari per i quali la previsione richiede una conoscenza della condizioni iniziali con precisioni fisicamente non raggiungibili. Combinando la evoluzione deterministica della meccanica di Newton o di Hamilton con la descrizione statistica attraverso una opportuna misura invariante di probabilità nello spazio delle fasi, nasce la teoria dei sistemi dinamici2 che consente di descrivere non solo i sistemi ordinati o i sistemi caotici ma anche tutti quelli che vedono coesistere in diverse proporzioni ordine e caos e che presentano una straordinaria varietà di strutture geometriche e proprietà statistiche, tanto da fornire almeno se non proprio un quadro teorico per lo meno metafore utili per la descrizione dei sistemi complessi. Anche se non c’è unanime consenso ci sembra appropriato definire complessi non tanto sistemi caratterizzati da interazioni non lineari tra i suoi componenti e da proprietà emergenti, che rientrano a pieno titolo nel quadro dei sistemi dinamici, ma piuttosto i sistemi viventi o quelli di vita artificiale che ne condividono le proprietà essenziali3. Tra queste possiamo certamente annoverare la capacità di gestire la informazione e di replicarsi, consentendo tramite un meccanismo di mutazione e selezione di dare origine a strutture di crescente ricchezza strutturale e dotate di capacità cognitive sempre più elaborate. Una teoria dei sistemi complessi non esiste ancora, anche se la teoria degli automi sviluppata da Von Neumann4 e la teoria della evoluzione di Darwin5 ne possono fornire alcuni pilastri importanti. Recentemente la teoria delle reti è stata utilizzata con successo per descrivere le proprietà statistiche delle connessioni tra gli elementi costitutivi (nodi) di un sistema complesso6. Le connessioni che non sono né completamente casuali né completamente gerarchiche, consentono una sufficiente robustezza rispetto a malfunzionamenti o danneggiamenti dei nodi unita a un adeguato livello di organizzazione per consentirne un funzionamento efficiente. Nei sistemi fisici il modello base è un insieme di atomi o molecole interagenti, che danno luogo a strutture diverse quali un gas, un liquido o un cristallo, come risultato di proprietà emergenti. Nello stesso modo per i sistemi complessi possiamo proporre un sistema automi interagenti come modello base. Le molteplici forme che il sistema assume anche in questo caso vanno considerate come proprietà emergenti del medesimo sostrato al mutare delle condizioni esterne e frutto delle i replicazioni, ciascuna delle quali introduce piccole ma significative varianti. Questa è la grande differenza tra un sistema fisico ed un sistema complesso: il primo fissate le condizioni esterne ha sempre le medesime proprietà, il secondo invece cambia con il fluire del tempo perché la sua organizzazione interna muta non solo al cambiare di fattori ambientali ma anche con il succedersi delle generazioni. C’è dunque un flusso di informazione che cresce con il tempo e che consente agli automi costituenti ed alla intera struttura di acquisire nuove capacità. Questo aumento di ordine e ricchezza strutturale avviene naturalmente a spese dell’ambiente circostante, in modo che globalmente i la sua entropia cresce in accordo con la seconda legge della termodinamica. In assenza di una teoria formalizzata paragonabile a quella dei sistemi dinamici, per i sistemi complessi si possono fare osservazioni e misure, sia puntuali sui costituenti elementari e sulle loro connessioni, sia globali sull’intero sistema, oppure costruire modelli suscettibili di essere validati attraverso la simulazione. Se di un sistema si riesce infatti a fornire una descrizione sufficientemente dettagliata, è poi possibile osservare come questo si comporti traducendo le regole in algoritmi e costruendo quindi una versione virtuale, anche se semplificata del sistema stesso. Il passaggio più difficile è il confronto tra il sistema simulato ed il sistema vero, che passa necessariamente attraverso la valutazione di una numero limitato di parametri che ne caratterizzino e proprietà. La codifica del progetto è una proprietà cruciale dei sistemi complessi perché questa si realizza con un dispendio di massa ed energia incomparabilmente più piccolo rispetto a quello necessario per realizzare l’intera struttura; nello stesso tempo apportare piccole modifiche ad un progetto è rapido ed economico. In questo processo che comporta la continua introduzione di varianti si aprono molteplici strade e con lo scorrere del tempo si realizza una storia in modo unico e irripetibile. Anche il susseguirsi di eventi fisici caratterizzati da processi irreversibili e dalla presenza di molteplici biforcazioni da origine ad una storia che non si può percorrere a ritroso, né riprodurre qualora fossimo in grado ripartire dalle stesse condizioni iniziali. Tuttavia esiste una differenza profonda tra la storia di un sistema fisico come il globo terrestre e la storia della vita. La prima registra i molteplici cambiamenti che ha subito la superficie del nostro pianeta ove montagne e mari nascono e scompaiono senza un chiaro disegno soggiacente. La storia della vita è caratterizzata da una progressiva crescita della ricchezza strutturale e funzionale e accompagnata da una crescita della complessità progettuale. La rappresentazione di questa storia prende la forma di un albero con le sue ramificazioni che mostra la continua diversificazione delle strutture e la loro evoluzione verso forme sempre più avanzate. La direzione in cui scorre il tempo è ben definita: le strutture affinano le capacità sensoriali mentre cresce la potenza degli organi che elaborano la informazione. Un sistema complesso è anche caratterizzato da un molteplicità di scale, tanto più alta quanto più si sale sulla scala evolutiva. La ragione è che il procedere verso strutture sempre più elaborate avviene utilizzando altre strutture come mattoni per cui l’immagine che si può fornire è quella di una rete di automi a più strati: partendo dal basso una rete con le sue proprietà emergenti diventa il nodo di una rete di secondo livello, cioè un automa di secondo livello che interagisce con altri automi dello stesso tipo e così via. Nei sistemi inorganici, dove non esiste un progetto, si distinguono di norma solo due livelli, quello dei costituenti elementari e quello su scala macroscopica. I sistemi fisici sono riconducibili a poche leggi universali, che governano i costituenti elementari della materia, ma il passaggio dalla descrizione dalla piccola alla grande scala è impervio e consentito soltanto dalla simulazione numerica, quando ci allontaniamo dalle situazioni più semplici caratterizzate da un equilibrio statistico. I limiti che il disegno riduzionista incontra già per i sistemi fisici diventano decisamente più forti nel caso dei sistemi complessi. (shrink)

Il libro "Homo Sapiens" (Il Mulino) di Giorgio Manzi propone un viaggio attraverso la storia naturale dell’uomo in quanto specie animale. Questa recensione analizza le strategie di comunicazione della scienza dell'autore individuandone pregi e difetti.

‘Metaphysical painting’ (‘pittura metafisica’) is a paradoxical term: extrasensory sensuousness, as it were. Painting is the representation of visible surfaces; metaphysics rejects surfaces, as deceptive, in favour of the deeper essence. But Giorgio de Chirico (1888–1978) who coined the term ‘pittura metafisica’ in 1919 was a follower of the anti-essentialist Nietzsche. ‘Metaphysics’, then, is not about discovering the essence of things but about shaping their appearances, their ‘physique’. This is an intriguing concept and the corollary to a subtle artistic (...) oeuvre. (shrink)

I. Introduzione. I.1. Un’editio minor come sfida aperta. I.2 Per una più selettiva eliminatio. II.1 Sulla storia del problema : l’eredità del XIX secolo (Brandis 1823, Christ 1885, Gercke 1892) nelle edizioni del XX (Ross 1924, Jaeger 1957). II.2. Studi recenti : la necessità di un superamento. II.3. Lo stemma di riferimento : Harlfinger (1979). II.4. L’applicazione dello stemma nel libro Alpha edito da Primavesi. II.5. La revisione dello stemma, proposta per Kappa e Lambda (2009, 2010). II.6. La reazione : (...) discussioni sul ruolo della tradizione β in Kappa e Lambda (2015). III. Una verifica dello stemma in agenda : la divisione delle due famiglie. III.1 Fra i codici β : L’Ambrosianus F 113 Sup. come codex descriptus ? (libri I-IX inc.). III.2. L’ipotesi dell’ interpositus ε e le sue implicazioni sistematiche. III.3 Allievo e maestro nel XV secolo : Matthaios Chamariotes (C) e Giorgio Scholarios, Gennadeios II (Vk). III.4. Il non liquet sulle parti inferiori dello stemma e il concetto di contaminazione. IV.1. Rivedendo lo stemma dall’interno : il problema critico degli errori-guida (Leitfehler). IV.2. Iudicium e valutazione degli errori. IV.3. Errori separativi ed errori congiuntivi secondo la Textkritik di Paul Maas. IV.4. Una verifica importante : il ruolo di γ. V. Un’ipotesi alternativa . V.1. Il testo della Metafisica nei codici poziori. V.2. Un ritorno alla sigla ". V.3. Un nuovo stemma dei codici principali della Metafisica. Appendice : una verifica sull’ipotesi γ. (shrink)

Recensione del testo di Giorgio Agamben, "Gusto".

Discussione a partire dal libro di Giorgio Agamben "Karman. Breve trattato sull'azione, la colpa e il gesto", Bollati Boringhieri, 2017.

This chapter is an overview of Giorgio Agamben's engagement, in the Homo Sacer series (1995–2014), with Aristotelian philosophy. It specifically studies Agamben's attempt to deconstruct two Aristotelian conceptual oppositions fundamental for the Western tradition of political thought: (1) that between the bare fact of being alive and "qualified" living (associated by Agamben with an alleged distinction between zōē and bios) and (2) that between potentiality (dynamis) and actuality (energeia). Agamben's concept of form-of-life (forma-di-vita), a life that is never "bare" (...) but always in the process of qualifying itself, is designed to deactivate and overcome these distinctions. In the final volume of the series, The Use of Bodies (2014), this is done with the help of the Aristotelian concepts of use (chrēsis) and habit (hexis). (shrink)

The re-use of publicly available (personal) data for originally unanticipated purposes has become common practice. Without such secondary uses, the development of many AI systems like large language models (LLMs) and ChatGPT would not even have been possible. This chapter addresses the ethical implications of such secondary processing, with a particular focus on data protection and privacy issues. Legal and ethical evaluations of secondary processing of publicly available personal data diverge considerably both among scholars and the general public. While some (...) of these uses are met with opposition and criticism, others are quite unanimously viewed as unproblematic. Often, proponents and opponents of such practices invoke the same ethical and legal standards for their opposite conclusions. This state of affairs shows that other considerations besides the public availability of data must play a role. It calls for a theoretical clarification of the additional criteria that should guide decisions about the (legally informed) ethical acceptability of re-processing practices. In order to make a contribution towards this goal, the present chapter maps the ongoing debate and systematises the existing contributions around three lines of argument: a consent-centred position, an approach that focuses on the distinction between data and information, and finally a line of argument that focuses on the contextual norms that govern the flows of information. The chapter further relates these arguments to three underlying conceptions of privacy and data protection: rights-based, structural and contextual, and discusses the advantages and disadvantages of each position in the light of concrete examples. It concludes by arguing for a mixed approach that combines core elements of the structural and contextual approaches. The chapter aims to contribute to existing research in the fields of data, AI and research ethics, and to reconnect the debate with ethical and legal scholarship on privacy and data protection. In doing so, it aims to make a theoretical contribution towards refining existing conceptions of privacy and data protection in order to make them more fit to ‘drive our digital world’ as far as the use of publicly available data is concerned. (shrink)

During the French Revolution, Olympe de Gouges (1748-1793) campaigned for the rights of women, enslaved people and other politically marginalised and underprivileged groups. Conceptually, her reflection is located within the tradition of the social contract. However, she made a theoretical and practical break with this by abolishing the separation between the political and private spheres and universally expanding political participation and belonging.

There is growing debate about what is the correct methodology for research in the ontology of artworks. In the first part of this essay, I introduce my view: I argue that semantic descriptivism is a semantic approach that has an impact on meta-ontological views and can be linked with a hermeneutic fictionalist proposal on the meta-ontology of artworks such as works of music. In the second part, I offer a synthetic presentation of the four main positive meta-ontological views that have (...) been defended in philosophical literature about artworks and of some criticisms that can be lodged against them: Amie Thomasson’s global descriptivism, Andrew Kania’s local descriptivism, Julian Dodd’s folk-theoretic modesty, and David Davies’ rational accountability view. In the conclusion, I show the advantages of my view. (shrink)

In juxtaposition with the myth and tragedy of Ovid’s Medea, this paper investigates the possibility within the Kantian conception of agency of understanding moral evil as acting against one’s better judgment. It defends the thesis that in Kant self-deception, i. e. the intentional untruthfulness to oneself, provides the fundamental structure for choosing against the moral law. I argue that, as Kant’s thought progresses, self-deception slowly proceeds to become the paradigmatic case of moral evil. This is discussed with regard to two (...) important topics in his later moral philosophy: the doctrine of radical evil and the crucial role of the duty of truthfulness in ethics. The inquiry into Kant’s theory of conscience unfolds both against this theoretical background and in light of its historical roots in the polemic against casuistry and probabilism. This contribution closes with a brief look at the tools Kant implements to counter this tendency to self-deception in moral judgment and particularly at the role casuistry plays within his conception of moral education. (shrink)

Riflessione sulla temporalità dell'evento a partire dalla pandemia di SARS-CoV2.

In this paper, with reference to Vito Acconci’s Following Piece (1969) and Sophie Calle’s Take care of yourself (2007), I show that some works of conceptual art rely on exemplification to convey ideas, and I defend the following claims about those works. In the first place, I argue that the kinds of events and of objects they present us with are relevant for appreciating the views the works convey. In the second place, siding with Elisabeth Schellekens (2007) and Peter Goldie (...) (2007), I argue, contra James Young (2001), that those artworks can yield experiential knowledge. In the third place, I argue that those artworks also possess probatory value. Finally, I maintain that those artworks can be valuable instruments for the education of the emotions. (shrink)

This article focuses on the so-called “Area of Freedom, Security and Justice” (ASFJ), namely the policy field of the European Union (EU) that covers judicial and police cooperation, migration and asylum policies and the control of external borders. The article explores how the AFSJ has emerged and how, within it, the relationship between freedom and security has evolved over time and brought about a shift towards a “Security Union”.

Digitalisation has lent the right to privacy increasing philosophical and legal relevance. However, privacy’s epistemic status and associated normative values are constantly subject to radical criticisms. This article investigates the validity, in theory and practice, of three radical critiques of privacy. A review of the philosophical and interdisciplinary discourse on privacy during the last half century is followed by analyses of recent legal developments within the EU. Privacy emerges as a highly differentiated and powerful tool to protect individuals and social (...) relations and to limit and redistribute power. However, the right to privacy remains far from realising its practical potential. (shrink)

This paper contrasts the experience of works of installation art with sculptural and architectural experience and argues that installation art is an interactive art form.

The Passenger Name Record (PNR) Directive has introduced a pre-emptive, risk-based approach in the landscape of European databases and information exchange for security purposes. The article contributes to ongoing debates on algorithmic security and data-driven decision-making by fleshing out the specific way in which the EU PNR-based approach to security substantiates core characteristics of algorithmic regulation. The EU PNR framework appropriates data produced in the commercial sector for generating security-related behavioural predictions and does so in a way that gives rise (...) to a paradoxical normativity directly dependent on empirical states. Its ‘securitisation move’ is moreover characterised by an inherent tendence to expand. As a result, the PNR Directive poses challenges for existing check and balance mechanisms and for human autonomy. These challenges could be partially addressed by strengthening ex-post control procedures and independent auditing. Yet in the decision to adopt a risk-based security model, something more fundamental seems to be at stake, namely, the preservation of the idea of human beings as moral agents able to direct and modify their behaviour in accordance with an intelligible, reliable and predictable normative order. (shrink)

The enormous increasing of connections between people and the noteworthy enlargement of domains and methods in sciences have augmented extraordinarily the cardinality of the set of meaningful human symbols. We know that complexity is always on the way to become complication, i.e. a non-tractable topic. For this reason scholars engage themselves more and more in attempting to tame plurality and chaos. In this book distinguished scientists, philosophers and historians of science reflect on the topic from a multidisciplinary point of view. (...) Is it possible to dominate complexity through reductionism? Are there other conceptual instruments useful to take account of complexity? What is complexity in biology, mathematics, physics and philosophy of mind? These are some of the questions which are faced in this volume. (shrink)

Several contemporary architects have designed architectural objects that are closely linked to their particular sites. An in-depth study of the relevant relationship holding between those objects and their sites is, however, missing. This paper addresses the issue, arguing that those architectural objects are akin to works of site-specific art. In section (1), I introduce the topic of the paper. In section (2), I critically analyse the debate on the categorisation of artworks as site-specific. In section (3), I apply to architecture (...) the lesson learned from the analysis of the art debate. (shrink)

This chapter illustrates through the analysis of some examples how philosophical research can illuminate the improvisational aspects of installation art. There is little philosophical research on improvisation in the visual arts. Similarly, there is little philosophical research on installation art – in section 2, I mention some key claims that have been put forward. Not surprisingly, then, philosophers have not yet focussed – at least to my knowledge – on improvisation in installation art. The issue, though, is timely. Not only (...) some installation artists have explored improvisation in their practice, both solo and collaboratively (see section 3) but, as I shall argue, it can be claimed that some works of installation art represent or express improvisation (section 4), that some invite the public to engage in improvisation (section 5), and that curatorial teams responsible for the displays of certain installation artworks have the opportunity to introduce improvisational elements in their practice, if they so wish (section 6). (shrink)

According to the Maxim of Quality, rational agents tend to speak honestly. Due to the influence of Grice, a connection between linguistic rationality and honesty is often taken for granted. However, the connection is not obvious: structural rationality in language use does not require honesty, any more than it requires dishonesty. In particular, Quality does not follow from the Cooperative Principle and structural rationality. But then what is honest rational speech? I propose to move the discussion in the context of (...) Stalnaker's theory of assertion. From this perspective, although there is no most rational way to behave, Quality follows from the structure of Stalnakerian conversations if interlocutors are sensitive to credibility. In this case, honesty is built on the expectation of reciprocity, and cooperativity is an outcome and not a precondition of rational communication. A benefit of my discussion is that the account of linguistic rationality falls under the more general view of interactive rationality familiar from theoretical economics. (shrink)

--- abstract is not requested by the Editors.

in the present work we analyze the new concepts and theories related to the activity of Design Management, which focus on the experiences of people and the particular characteristics of each one of them. Specifically, from an Industrial Design perspective, the scope and relationships between these conceptual definitions —now made visible— that always belonged to the field of design of the discipline will be studied, trying to identify how they influence innovation and product development. Finally, it will conclude about its (...) strategic relevance for public and private organizations, and the incorporation to the set of professional activitie. (shrink)

Mereological universalists, according to whom every plurality of entities has a fusion, usually claim that most quantifications are restricted to ordinary entities. However, there is no evidence that our usual quantifications over ordinary objects are restricted. In this article I explore an alternative way of reconciling Mereological Universalism with our usual quantifications. I resort to a modest form of ontological expansionism and to the so-called interpretational modalities. Quantifications over ordinary objects are the initial stages of the expansion. From these initial (...) stages, expansions can proceed upwards (fusions of entities in the domain of quantification are added), downwards (parts of entities in the domain are added), and sidewards (entities which are mereologically disjoint from the entities in the domain are added). These expansions are driven by a variety of epistemic and pragmatic reasons and raise different kinds of problems. At each stage, a modalized version of Mereological Universalism is true. By contrast, only at some especially rich stages, standard, non-modalized Mereological Universalism is true as well. Among these especially rich stages, there is a final, metaphysically pre-eminent stage of mereological plenitude. In the last part of the article I discuss some problems and limitations of expansionism. (shrink)

The Research Domani Criteria framework (RdoC) encourages research on specific impairments present across traditional nosological categories and suggests a list of biological and behavioral measures for assessing them. After a description of RdoC, in this article we focus on impairments of the ability of understanding others, specifically in Theory of Mind and empathy. We illustrate recent evidence on brain anomalies correlating with these deficits in Schizophrenia, Addiction Disorders and Mood Disorders populations. In the last section, we zoom out and consider (...) this kind of research vis-à-vis the objection of being reductionistic that is, in favoring mechanistic accounts of mental disorders. We argue that metaphysical reductionism and explanatory reductionism are not conceptually entailed by the RdoC framework. (shrink)

This paper addresses issues regarding perceptions of surveillance technologies in Europe. It analyses existing studies in order to explore how perceptions of surveillance affect and are affected by the negative effects of surveillance and how perceptions and effectiveness of surveillance technologies relate to each other. The paper identifies 12 negative effects of surveillance including, among others, privacy intrusion, the chilling effect and social exclusion, and classifies them into three groups. It further illustrates the different ways in which perceptions and effectiveness (...) of surveillance interact with each other, distinguishing between perceived security and perceived effectiveness. Finally, the paper advances a methodology to take into account perception issues when designing new surveillance technologies. By doing so, it rejects manipulative measures aiming at improving perceptions only and suggests measures that address the background conditions affecting perceptions. (shrink)

The present work outlines a logical and philosophical conception of propositions in relation to a group of puzzles that arise by quantifying over them: the Russell-Myhill paradox, the Prior-Kaplan paradox, and Prior's Theorem. I begin by motivating an interpretation of Russell-Myhill as depending on aboutness, which constrains the notion of propositional identity. I discuss two formalizations of of the paradox, showing that it does not depend on the syntax of propositional variables. I then extend to propositions a modal predicative response (...) to the paradoxes articulated by an abstraction principle for propositions. On this conception, propositions are “shadows” of the sentences that express them. Modal operators are used to uncover the implicit relation of dependence that characterizes propositions that are about propositions. The benefits of this approach are shown by application to other intensional puzzles. The resulting view is an alternative to the plenitudinous metaphysics of impredicative comprehension principles. (shrink)

This book gathers experiences, reflections and new pedagogical proposals that are being incorporated to the teaching practices, in different levels of the technical education in our countries. The authors' interventions, which cover different perspectives and depth, allow us to understand and evaluate: the trajectories that technical education has had since its origins with the advances and setbacks it has experienced with political, economic and productive changes; the methodologies to incorporate the new models of industrial production; the experiences of education for (...) entrepreneurship; and, technical-professional education in development processes. (shrink)

Darwin’s claim that Natural Selection, through optimization of fitness, explains complex biological design has not yet been properly formalized. Alan Grafen’s Formal Darwinism Project aims at providing such a formalization and at demonstrating that fitness maximization is coherent with results from Population Genetics, usually interpreted as denying it. We suggest that Grafen’s proposal suffers from some limitations linked to its concept of design as optimized fitness. In order to overcome these limitations, we propose a classification of evolutionary facts based on (...) a bi-dimensional complexity space, which adds robustness to fitness as measure of the quality of a design. In this space, each point represents an organismic architecture, and movement between two points would be an evolutionary fact. Natural Selection explains movement along the fitness axis, while non-selective mechanisms explain movement on the robustness axis. Moreover, we propose a thermodynamic metaphor to draw parallelisms between notions of fitness and entropy, robustness and energy, and movement in this space and reversible and irreversible cycles. We argue that this metaphor illustrates different evolutionary processes usually overlooked by proposals of formalization of Darwinian theory, such Grafen’s Formal Darwinism Project. (shrink)

The starting point of this paper are two views: on the one hand, two general claims about street art – a broad art category encompassing works of spray painting as well as of yarn bombing, paste ups as well as sculptural interventions, tags as well as stickers, and so on – and, on the other hand, a much more specific view about certain contemporary tags produced, roughly, over the past twenty years. The two general claims are, first, that all works (...) of street art are subversive (see, e.g., Bacharach 2015; 2018; Chackal 2016; Baldini 2015; 2016; 2017; 2018; Willard 2016), second, that works of street art are the result of acts of self-expression (Riggle 2016). The specific view about certain contemporary tags is that they are artworks, although they are not presented, mainly, for appreciation of aesthetic properties grounded in their perceptual properties, because they are works of conceptual street art (see Lewisohn 2010; JAK 2012). The key question of the paper concerns, however, not contemporary tags, but “very early tags” (VETs) – a term that I shall use to designate the extremely simple, unadorned tags that first appeared in the late 1960s and that some scholars consider as the historical predecessors of the various practices that today we group under the category “street art” (see, e.g., Young 2014; Gastman et al. 2015): should we regard VETs as artworks? On the one hand, VETs writers tend to answer this question in the negative, since they stress that they didn’t cast themselves as artists and often identify the first tags that are artworks with the graphically elaborated tags that begun to be seen around New York City and Philadelphia just a few years after the appearance of the first tags. On the other hand, already in the early 1970s, artists and intellectuals such as Norman Mailer and Gordon Matta-Clark seemed to hold the view that it was appropriate to regard both VETs and later tags as art, although they didn’t defend this thesis with argument. The view that some contemporary tags that are not presented, mainly, for appreciation of their aesthetic properties might be candidates for appreciation as works of conceptual art suggests a strategy for assessing the issue whether VETs are candidates for art appreciation: can we defend the claim that the extremely simple, unadorned VETs were presented for appreciation as works of conceptual street art? I argue that we have good reasons to hold this view. (shrink)

Este capítulo presenta dos versiones de la teoría según la cual deberíamos centrarnos en ciertas acciones realizadas por los artistas para comprender qué tipo de objetos son las obras de arte: la propuesta de Gregory Currie (An Ontology of Art, 1989) y la de David Davies (Art as Performance, 2004). Si bien estas teorías no están exentas de problemas, es cierto que estas proporcionan una guía completa de algunos de los temas en los que uno debería meditar al evaluar y (...) desarrollar teorías sobre qué son las obras de arte. Además, Currie y Davies presentan algunos de los argumentos más refinados contra los puntos de vista contextualistas y estructuralistas sobre la metafísica de las obras de arte, así como contra el empirismo estético. (shrink)

This book presents a comprehensive theoretical framework that explains both human consciousness and meanings through the working of attention. By arguing for a first-person approach to consciousness, this book offers a critical overview of the major theories and empirical findings on consciousness and attention, and exemplifies how one of the most difficult and fundamental conscious experiences to account for, that is, time, can be analyzed by adopting the kind of semantics developed within the presented theoretical framework: Attentional Semantics.

Natural language contains simple lexical items for some but not all Boolean operators. English, for example, contains conjunction and, disjunction or, negated disjunction nor, but no word to express negated conjunction *nand nor any other Boolean connective. Natural language grammar can be described by a logic that expresses what the lexicon can express by its primitives, and the rest compositionally. Such logic for propositional connectives is described here as a bilateral extension of update semantics. The basic intuition is that a (...) context can be updated by assertion or by rejection, and by one or multiple propositions at once. These distinctions suffice to characterize the logic of the lexicon. (shrink)

The study, design and development of a low-cost digital braille printer is boarded with a transdisciplinary approach. The main challenge was focused on reducing significantly the high cost of this type of printers and their printing services. This context is aggravated with the low commercialization of these products in the country, a factor that makes the access of these tools -that are essential to much of the low and middle sectors of the Argentine social structure- even more difficult. An interdisciplinary (...) group of teachers, graduates and students of the careers of industrial design and informatics degree from the National University of La Plata, developed the design and prototype of a braille printer. The work was carried out according to the principles of Gandhian Engineering, based on the reuse of ink-jet printers. The project consists of the design, development and generation of a low-cost Braille printer, produced locally, which prioritizes the use of nationally manufactured components for assembly. To achieve this, an electronic and electromechanical system was designed and manufactured to adapt any Inkjet printer to the objectives of the project, enabling the recycling of obsolete printers. This means, it is proposed to resolve through the use of text printers, applying technical knowledge of computer science and industrial design, to adapt the technological components to the Braille lexicon printer. They also developed, on the one hand, software that controls the printer and allows its use in a simple and accessible way. On the other hand, the hardware and external components were adapted with 3D printing technology and thermoforming, producing a housing that contains the entire printer. Finally, a systematization of the assembly process of the printer prototype was carried out, making it possible to replicate it. Using methodologies of Gandhian Design, a prototype and two alternative proposals of carcasses were obtained. The main objective, which guided this work, was that blind people can access low-cost braille printers promoting by this a favorable impact on the cultural development of their daily lives. (shrink)

This article seeks to establish the development of rural communities, with up to 500 inhabitants, with the creation of a Rural Tourism Development Forum and a Tourism Development Program with local identity. It is proposed to capitalize on cultural assets and local knowledge, to strengthen the profile and tourist circuits, local services and enterprises, agro-tourism and other related economic and social activities. The objective is to contribute to territorial tourism development from an innovative perspective, which, based on the efficient use (...) of local resources, generates employment and improves the quality of life of its inhabitants, capitalizing on the advantages of tourist activity. The methodology used consisted in analyzing the problems of local development, identifying the obstacles and conceiving tourism as a solution and sustenance that allowed the elaboration of the model. (shrink)

The ability to express negation in language may have been the result of an adaptive process. However, there are different accounts of adaptation in linguistics, and more than one of them may describe the case of negation. In this paper, I distinguish different versions of the claim that negation is adaptive and defend a proposal, based on recent work by Steinert-Threlkeld (2016) and Incurvati and Sbardolini (2021), on which negation is an indirect adaptation.

The assumption that natural selection alone is sufficient to explain not only which traits get fixed in a population/species, but also how they develop, has been questioned since Darwin’s times, and increasingly in the last decades. Alternative theories, linked to genetic and phenotypic processes, or to the theory of complex systems, have been proposed to explain the rise of the phenotypic variety upon which natural selection acts. In this article, we illustrate the current state of the issue and we propose (...) a logical space based on phenotypic robustness that allows a classification of evolutionary phenomena and can provide a framework for unifying all these accounts. (shrink)